Sans Faceted Orke 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun and 'Evanston Tavern', 'Hawkes', and 'Refinery' by Kimmy Design (names referenced only for comparison).
Keywords: headlines, posters, signage, ui labels, branding, tech, industrial, retro, utilitarian, architectural, geometric stylization, technical tone, signage clarity, sci-fi flavor, faceted, octagonal, chamfered, angular, stencil-like.
This typeface is built from straight strokes and chamfered corners, replacing curves with crisp planar facets. The construction stays largely monoline, with uniform stroke thickness and squared terminals that often step into small diagonal cuts. Counters trend toward squarish and octagonal shapes (notably in O/Q/0/8), while diagonals in A/V/W/X/Y are clean and rigid, giving the design a mechanical, plotted feel. Spacing reads even and practical, and the lowercase follows the same hard-edged geometry with compact bowls and simplified joins.
It suits short to medium-length settings where its angular construction can be appreciated: headlines, posters, packaging, and wayfinding or label-style signage. It can also work for UI labels and interface mockups that benefit from a technical, sci‑fi or industrial tone, especially at medium to large sizes.
The overall tone feels technical and utilitarian, with a retro-futuristic, equipment-label character. Its faceted geometry suggests precision and engineered surfaces, evoking industrial signage, sci‑fi interfaces, and digital hardware aesthetics without relying on overt ornament.
The design appears intended to translate a sans-serif skeleton into a faceted, machined geometry that stays clear and consistent across capitals, lowercase, and numerals. By using chamfers and segmented curves, it aims to deliver a distinctive technical voice while retaining straightforward readability for display-oriented text.
Distinctive chamfers appear consistently at outer corners and at some inner joins, producing a subtle "cut metal" rhythm across words. Round characters (C/G/S) are interpreted as segmented arcs, which increases crispness but can look more rigid at small sizes compared with more rounded sans designs.