Pixel Ehha 2 is a regular weight, narrow, medium contrast, italic, normal x-height font.
Keywords: game ui, poster titles, tech branding, album art, sci-fi graphics, glitchy, arcade, techno, industrial, futuristic, retro digital, glitch effect, high energy, sci-fi ui, display impact, angular, segmented, slanted, modular, chiseled.
A compact, slanted pixel display face built from sharply segmented strokes and stepped corners. Letterforms are constructed with short, quantized diagonals and straight stems, producing a faceted, cut-in rhythm rather than rounded bitmap curves. Many glyphs show deliberate breaks and offsets (notably in bowls and cross-strokes), which adds a fragmented, scanline-like texture while keeping counters mostly open and geometric. Overall spacing is tight and the silhouette is tall and condensed, with crisp, high-contrast edges typical of grid-based construction.
Best suited to short-form display settings where its fractured pixel detail can be appreciated: game UI labels, arcade-inspired graphics, sci‑fi interface mockups, event posters, and punchy tech or music branding. It can work for brief slogans or navigational headings, but the broken pixel joins make it less ideal for extended reading at small sizes.
The typeface reads as retro-digital with an intentional “signal error” attitude—part arcade HUD, part hacked terminal. Its sharp slant and broken segments create motion and tension, giving headlines an energetic, cyberpunk-leaning tone rather than a friendly or nostalgic one.
The design appears intended to reinterpret classic bitmap lettering through a sharper, more aggressive lens—combining grid-based construction with slanted, segmented cuts that suggest glitch, speed, and electronic noise. It aims to deliver a distinctive digital voice while remaining legible as a condensed display face.
Distinctive pixel fractures appear consistently across uppercase, lowercase, and numerals, helping the design feel cohesive in text while still looking deliberately imperfect. The sample text shows strong word-shape momentum from the slant, but the segmented joins can become busy at small sizes or in long passages.