Sans Superellipse Alraf 4 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, wayfinding, dashboards, packaging, techy, friendly, futuristic, clean, utilitarian, modernize, systematize, improve clarity, add friendliness, rounded corners, squared rounds, soft geometry, open counters, modular feel.
This typeface is built from even, monoline strokes with a rounded-rectangle (superellipse) construction that gives curves a slightly squared-off, engineered feel. Corners are consistently softened, and bowls and counters stay open and generously proportioned, supporting clear interior space in letters like a, e, g, and p. Uppercase forms read compact and geometric (notably O, Q, and D), while lowercase maintains a straightforward, single-storey structure for a and g, with simple, vertical stems and tidy terminals. Figures follow the same rounded-rect logic, with a distinctly shaped 0 and smooth, continuous strokes throughout.
It suits interface typography such as navigation labels, settings screens, dashboards, and device displays where clarity and a modern geometric tone are desirable. The rounded-rect forms also work well for contemporary branding, packaging, and signage systems that want a friendly tech aesthetic without decorative flair.
The overall tone is modern and approachable, combining a technical, UI-like cleanliness with softer rounded edges that keep it from feeling cold. Its modular geometry suggests contemporary product design and digital interfaces, while the open shapes and calm rhythm make it readable and friendly.
The font appears designed to translate a superelliptical, product-design geometry into a practical text-ready sans, prioritizing consistency, clarity, and a contemporary digital voice. Its softened corners and open counters suggest an intent to balance engineered precision with approachability for everyday reading and labeling.
The design emphasizes consistency of corner radii and stroke endings, creating a cohesive system across caps, lowercase, and numerals. Shapes like S, Z, and 2 show controlled curvature and flattened turns that reinforce the superelliptical theme, and the Q’s tail is integrated in a restrained, geometric way rather than calligraphic.