Sans Superellipse Otmom 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'DIN Mittel EF' by Elsner+Flake; 'FF DIN', 'FF DIN Arabic', and 'FF DIN Paneuropean' by FontFont; 'Geometris' by NicolassFonts; 'TT Commons™️ Pro' by TypeType; and 'Leubner' by words+pictures (names referenced only for comparison).
Keywords: headlines, branding, ui labels, posters, signage, modern, friendly, confident, clean, techy, impact, clarity, modernity, approachability, rounded, blocky, geometric, compact, high contrast (counter/外.
A heavy, geometric sans with rounded-rectangle logic throughout: curves feel superelliptical rather than perfectly circular, giving bowls and counters a softly squared character. Strokes are consistently thick and even, with a compact, sturdy rhythm and minimal modulation. Terminals are clean and largely flat, while joins and corners are rounded, producing a smooth, engineered silhouette. Uppercase forms are broad and stable; lowercase is simple and highly legible with single-storey shapes where expected and generous, rounded counters. Numerals match the letterforms in weight and geometry, reading clearly with a straightforward, contemporary construction.
Well-suited for headlines, brand marks, and short-form messaging where a bold, contemporary presence is needed. The clean, rounded construction also fits UI labels, navigation, and product interfaces, and it should perform strongly in signage and posters where quick recognition and high contrast are priorities.
The overall tone is modern and approachable while still feeling assertive. Its rounded geometry keeps it friendly and contemporary, but the dense weight and compact proportions project confidence and impact, suggesting a tech-forward, product-oriented personality.
The design appears intended to deliver a bold, modern sans that balances friendliness with solidity. Its superelliptical rounding and consistent stroke weight aim for clear, scalable letterforms that feel engineered and contemporary without becoming overly stylized.
Round letters show slightly squared curvature that keeps shapes from feeling overly bubbly, and the large counters prevent the bold weight from clogging at display sizes. The design maintains consistent visual color across mixed-case text, with a steady, no-nonsense texture that stays readable even in long pangram samples.