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Print Wunib 3 is a regular weight, narrow, high contrast, italic, short x-height font.

Keywords: invitations, greeting cards, branding, packaging, headlines, elegant, romantic, vintage, playful, personal, personal tone, elegant display, handwritten feel, decorative initials, calligraphic flavor, scriptlike, looping, swashy, calligraphic, bouncy.

A slanted, scriptlike print with narrow proportions and lively, handwritten rhythm. Strokes show pronounced contrast, with tapered entry/exit strokes and occasional thickened downstrokes that mimic pen pressure. Letterforms are loosely constructed rather than fully connected, featuring rounded terminals, generous loops, and intermittent swash-like flourishes—especially in capitals and descending letters. Spacing is slightly irregular in a natural way, and the forms keep a consistent rightward flow while varying in width from glyph to glyph.

Well-suited to invitations, greeting cards, and event materials where a personal, elegant voice is desired. It also works for boutique branding, packaging accents, social graphics, and short headlines that benefit from expressive capitals and a handwritten cadence. For longer passages, it’s best used at comfortable sizes where the contrast and tight proportions remain clear.

The font feels personable and expressive, combining a refined calligraphic flavor with an informal, handwritten ease. Its looping shapes and graceful slant suggest a romantic, lightly vintage tone, while the unconnected structure keeps it approachable and casual.

Designed to deliver a stylish, handwritten look that bridges casual note-like writing and calligraphic polish. The intent appears to emphasize flowing motion, decorative initials, and pen-like contrast for expressive display use while keeping individual letters readable as a print-style script.

Capitals are prominent and decorative, with curled strokes that create distinctive silhouettes for initials and short headings. Lowercase forms maintain a compact x-height with taller ascenders/descenders, adding vertical sparkle and a handwritten bounce in text. Numerals follow the same slanted, tapered treatment, reading as handwritten figures rather than rigid lining forms.