Sans Superellipse Lawi 8 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, branding, ui labels, futuristic, tech, sci‑fi, digital, industrial, tech branding, sci‑fi display, interface styling, geometric uniformity, rounded corners, squared bowls, modular, geometric, open apertures.
A geometric sans built from rounded-rectangle and superellipse-like forms, with consistently thick, monoline strokes and generous width. Corners are broadly radiused and terminals tend to be squared-off, creating a smooth yet mechanical silhouette. Curved letters (C, O, S) read as softened boxes rather than circles, while diagonals (V, W, X, Y) keep the same stroke weight and use blunt joins. Counters are large and rectangular, spacing is open, and the overall rhythm is steady and modular, with some glyphs showing stencil-like breaks or inset bars (notably in E and 3).
Best suited to display applications where its wide stance and modular geometry can read clearly: tech branding, game and film titles, product packaging, and interface headings or labels. It can work for short paragraphs in larger sizes, but its stylized forms and width are likely most effective for titles, signage, and prominent callouts.
The font projects a clean, forward-looking tone associated with interfaces, hardware, and science-fiction signage. Its rounded corners keep it friendly and approachable, while the boxy geometry and uniform stroke weight add a precise, engineered feel.
The design appears intended to merge rounded-rectangle geometry with a streamlined, techno vocabulary, prioritizing bold silhouettes, consistent stroke behavior, and a cohesive set of squared counters and softened corners. The occasional stencil-like internal breaks suggest an aim toward a contemporary digital or industrial voice rather than a neutral text workhorse.
Distinctive details include a single-storey a and g, a boxy e with an interior bar, and digits that echo the same rounded-rect geometry; the 1 is a simple vertical stroke and several figures use internal cut-ins that reinforce the techno aesthetic. The ample width and simplified constructions favor strong shape recognition at display sizes.