Sans Superellipse Kefi 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' and 'Kabyta' by Agny Hasya Studio, 'FX Ambasans' by Differentialtype, 'Lohamon' and 'Phatthana' by Jipatype, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, logos, sporty, techy, assertive, energetic, futuristic, impact, speed cue, modern branding, display emphasis, geometric styling, oblique, rounded, square-rounded, compact counters, angular joins.
A heavy, oblique sans with squared-off, superellipse curves and a distinctly engineered silhouette. Strokes are consistently thick with minimal modulation, and terminals tend to be blunt or subtly rounded, creating a blocky, streamlined texture. Many forms lean on rounded-rectangle counters (notably in O, D, P, and 0) with clipped, forward-cut details that reinforce the slant. The lowercase is compact and sturdy, with tight apertures in letters like e and s, and a pragmatic, display-oriented spacing and rhythm.
Best suited for high-impact headlines, posters, sports and esports identities, gaming graphics, and logo or wordmark work where a fast, technical feel is desired. It can also support short UI labels or packaging callouts when used large enough to preserve clarity in the tighter apertures and counters.
The overall tone is fast, confident, and modern—evoking motorsport, athletic branding, and sci‑fi interface graphics. Its forward slant and squared rounding suggest speed and momentum, while the dense black shapes convey impact and authority.
The design appears intended to deliver a speed-forward, industrial-geometric voice by combining an oblique stance with rounded-rectangle construction and blunt terminals. Its emphasis is on punchy recognition and a cohesive, aerodynamic texture rather than delicate readability at small sizes.
Diagonal strokes are prominent and crisp (V/W/X/Y), and the design favors geometric construction over calligraphic nuance. Numerals are bold and simplified for punchy recognition, matching the uppercase’s squared-round language. The sample text shows a strong presence at large sizes, where the distinctive cut corners and compact counters read as intentional stylistic signatures.