Print Tykim 2 is a bold, narrow, low contrast, upright, short x-height font.
Keywords: posters, packaging, kids, headlines, labels, playful, friendly, casual, quirky, handmade, handmade charm, approachability, playful display, marker print, casual warmth, rounded, bouncy, informal, chunky, soft.
A rounded, marker-like print with thick, even strokes and softened terminals throughout. The letterforms are compact and slightly irregular, with a gently bouncy baseline rhythm and small-but-open counters that keep shapes readable at display sizes. Curves are emphasized over sharp corners, and strokes taper subtly in places, reinforcing a hand-drawn feel without becoming connected script. Capitals are simple and approachable, while lowercase forms lean toward single-storey constructions and simplified joins, contributing to an easygoing, cartoonish texture.
This font suits short to medium display text where warmth and informality are desirable—posters, playful headlines, packaging, labels, invitations, and educational or kid-oriented materials. It can also work for branded quotes or social graphics where a friendly handwritten texture is needed without the complexity of a connected script.
The overall tone is cheerful and personable, like hand-lettering on a note, menu board, or classroom poster. Its relaxed proportions and friendly rounding give it an approachable, kid-friendly energy with a light comedic wink rather than a formal or corporate voice.
The design appears intended to mimic neat, confident hand printing with a broad-tip marker: smooth, rounded shapes, sturdy strokes, and a deliberately imperfect human rhythm. It prioritizes charm and approachability over typographic strictness, creating a distinctive voice for casual display settings.
Spacing appears generous enough to maintain clarity despite the heavy stroke weight, and the rounded punctuation and numerals match the same informal, drawn-with-a-marker character. The sample text shows consistent stroke weight and a steady rhythm across longer lines, suggesting it works best when the design can breathe rather than being tightly set.