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Free for Commercial Use

Outline Urgy 5 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, sports branding, apparel, packaging, collegiate, sporty, retro, technical, stencil-like, varsity look, display impact, graphic signage, retro branding, slab serif, inline, octagonal, chamfered, monoline.


Free for commercial use
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An all-outline display face built from monoline contours with consistent stroke weight and a double-line, inline effect. Letterforms are wide and largely rectilinear, with slab-like serifs and frequent chamfered or clipped corners that give many curves an octagonal feel (notably in C, G, O, and numerals). Counters are spacious and the outlines maintain even spacing, producing a crisp, architectural rhythm. Spacing and widths vary by glyph, with compact forms like I and t contrasting broader rounds and diagonals, reinforcing a traditional headline-driven texture rather than a rigidly uniform set.

Best suited to large-size settings where the outline structure can be appreciated—headlines, posters, and promotional graphics. It aligns naturally with sports branding, event signage, apparel graphics, and packaging where a varsity or institutional voice is desired. It can also work as a decorative secondary typeface paired with a solid text face for contrast.

The overall tone reads collegiate and sporty, reminiscent of varsity lettering and scoreboard graphics, while the outline construction adds a technical, sign-painting or drafting-like character. It feels energetic and bold in concept despite the light outline weight, leaning into nostalgia and team branding aesthetics.

The type appears designed to capture the look of classic collegiate block letters while translating them into a lightweight outline format for flexible graphic use. Its consistent monoline contours and chamfered geometry suggest an emphasis on reproducible, sign-like shapes that stay legible and distinctive at display sizes.

The design relies on clean exterior contours with minimal interior detailing, so the character comes primarily from the squared terminals, slab serifs, and consistent corner treatment. At smaller sizes the fine outline and tight interior gaps may visually thin out, while at larger sizes the geometric construction and inline spacing become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸