Slab Unbracketed Ansu 7 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: sports branding, tech branding, packaging, posters, headlines, technical, sporty, retro, futuristic, dynamic, speed emphasis, geometric styling, logo display, technical tone, angled, octagonal, squared, geometric, condensed caps.
A slanted slab-serif design with a geometric, slightly octagonal construction. Curves are often faceted into straight segments, producing squared bowls and clipped corners, while terminals and serifs read as crisp, unbracketed blocks. Strokes keep an even rhythm with minimal modulation, and the italic angle gives the whole set forward motion. Uppercase forms feel tall and streamlined, with angular joins in letters like M, N, V, and W; lowercase maintains a compact, engineered look with a single-storey a and g and narrow, tidy apertures. Numerals follow the same faceted logic, mixing straight-sided counters with sharp, squared-off ends for a cohesive, technical texture in text.
Well-suited to display settings where a fast, engineered tone is desired—sports identities, automotive or motorsport graphics, tech-oriented branding, and poster or packaging headlines. The distinctive faceting and slab details help it hold character at larger sizes and in short bursts of text.
The overall tone is energetic and machine-made, combining a retro sign-painting/sports flavor with a lightly futuristic edge. Its sharp corners, slab accents, and consistent slant communicate speed and precision rather than warmth or softness.
The type appears designed to fuse slab-serif solidity with italic speed cues and a geometric, chamfered construction. The repeated angles and squared curves suggest an intention to create a cohesive, logo-friendly texture that feels both retro and technical.
The design relies on repeated corner angles and squared counters to unify the glyph set, giving text a patterned, almost stencil-like regularity without obvious breaks. The italic rhythm is pronounced enough to read as purposeful emphasis, and the faceting is especially evident in rounded letters (C, G, O, Q) and in the angular shaping of the figures.