Sans Superellipse Unly 1 is a very bold, very wide, monoline, upright, tall x-height font visually similar to 'Fatman' by AType (names referenced only for comparison).
Keywords: headlines, logos, posters, esports, app ui, futuristic, tech, industrial, sporty, gaming, display impact, tech branding, modular geometry, high visibility, rounded, squarish, geometric, blocky, compact counters.
A heavy, geometric sans with rounded-rectangle construction and softly chamfered corners that creates a squarish, superelliptical silhouette throughout. Strokes are largely uniform, with broad horizontal emphasis and tight interior counters, giving letters a dense, engineered feel. Curves are controlled and capsule-like rather than circular, and many joins resolve into clean flats or subtle angles, producing a crisp, modular rhythm. The lowercase follows the same blocky logic with simplified bowls and short, sturdy terminals, while figures are wide and rectangular with consistent stroke weight and clear apertures.
Best suited for headlines, branding, and short text in contexts that want a contemporary tech or sport aesthetic—such as esports identities, product logos, posters, packaging, and interface titling. It can also work for signage or labels where a bold, compact, high-contrast silhouette is desirable.
The overall tone is modern and mechanical, with a distinctly futuristic, UI-forward voice. Its rounded-square geometry reads as technical and utilitarian, while the mass and width add a confident, sporty punch suited to high-impact messaging.
The letterforms appear designed to translate a rounded-rectangular, industrial geometry into a cohesive alphabet with strong shelf impact. Emphasis seems placed on consistency of corner radii, uniform stroke behavior, and simplified forms that read quickly in bold, modern applications.
The design prioritizes silhouette strength over delicate detail: counters are intentionally compact and some diagonals and terminals appear slightly angular to maintain a hard-edged, engineered character. The wide proportions and dense black shapes suggest it will perform best with generous spacing and at display sizes where the internal shapes can breathe.