Print Ismin 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pantograph' by Colophon Foundry, 'DINosaur' by Type-Ø-Tones, 'Noyh' by Typesketchbook, 'Aristotelica Pro' by Zetafonts, and 'Artico' by cretype (names referenced only for comparison).
Keywords: kids branding, posters, packaging, stickers, social graphics, playful, friendly, cheeky, bubbly, casual, hand-drawn feel, headline impact, approachability, humor, rounded, blobby, soft edges, chunky, irregular.
A heavy, rounded display face with chunky, blobby strokes and softly irregular edges that feel drawn rather than constructed. Forms are compact and inflated, with generous curves, small counters, and minimal interior detail, producing strong dark color on the page. Letterfit is fairly tight and lively, and shapes show subtle inconsistencies in stroke endings and curves that add an organic, hand-rendered rhythm. Numerals and capitals share the same puffy silhouette and simplified geometry, keeping the overall texture consistent in mixed text.
Best suited for short, bold messaging where warmth and personality matter—such as kids-oriented branding, playful packaging, posters, stickers, and social media graphics. It can work for headlines and short blurbs, but its dense texture and compact counters make it less ideal for long-form reading at small sizes.
The font projects a lighthearted, approachable tone with a humorous, cartoon-like bounce. Its soft, inflated shapes read as friendly and informal, suggesting spontaneity and a hand-made charm rather than precision or restraint.
The design appears intended to mimic a casual marker or brush-drawn print style with exaggerated weight and rounded, cartoonish proportions. It prioritizes immediacy and friendliness over typographic precision, aiming to create a memorable, upbeat headline voice.
The dense stroke mass and small counters can cause characters to visually merge at smaller sizes, while larger sizes emphasize the playful irregularities and rounded terminals. Curved letters (like C, S, O) maintain a consistent bulbous profile, and diagonals (V, W, X) remain thick and soft, avoiding sharp angles.