Sans Superellipse Tigef 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Whatchamacallit' by Comicraft, 'Muller Next' by Fontfabric, 'PT Sans Pro' by ParaType, and 'Coben' by cretype (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, branding, handmade, rugged, playful, posterish, casual, analog texture, display impact, friendly geometry, handmade feel, textured, chunky, stamped, compact, rounded.
A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and largely monolinear, but the outlines show an intentionally rough, inked texture that creates uneven edges and slightly irregular curves. Counters are small and tight, with round letters leaning toward squarish bowls, and terminals ending bluntly rather than tapering. Overall spacing feels sturdy and dense, with a lively, imperfect rhythm that reads like a bold print or stamp impression.
Well-suited for bold display work such as posters, event graphics, labels, and packaging where texture and impact are desired. It can also work for playful branding and short callouts on social or web graphics, especially when paired with a cleaner companion for body copy.
The texture and chunky proportions give the face a handmade, informal tone—more craft and street-poster than corporate. It feels energetic and a bit gritty, suggesting analog production (ink, block print, or distressed stamping) while staying friendly due to the rounded geometry.
The design appears intended to combine a rounded, geometric sans skeleton with an intentionally distressed, analog finish. It prioritizes punchy silhouette and a tactile, printed feel over pristine uniformity, aiming to add character and immediacy to short-form text.
The figures and caps maintain the same roughened perimeter treatment as the lowercase, helping headlines feel consistent across mixed-case and numeric settings. In longer lines the texture remains prominent, so it tends to read best when the design wants the roughness to be part of the message rather than hidden.