Print Ihnuk 1 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, branding, book covers, playful, casual, handcrafted, lively, friendly, expressiveness, informality, handmade feel, display impact, friendly tone, brushy, slanted, chunky, rounded, bouncy.
This typeface presents as a brush-driven, right-slanted print style with thick, rounded strokes and softly tapered terminals that suggest quick, confident writing. Letterforms have a lively baseline and uneven rhythm, with slightly irregular curves and widths that create an organic, hand-made texture. Counters are generally open and generous, and many shapes show subtle flare at stroke ends rather than sharp, formal serifs. Capitals feel sturdy and compact, while the lowercase shows more bounce and directional movement, reinforcing the written look.
Works well for short-to-medium display settings such as headlines, posters, and featured pull quotes where its brush texture and movement can be appreciated. It also suits packaging and branding that want an informal, hand-touched feel, especially for food, craft, or lifestyle contexts. For best clarity, use at larger sizes and avoid overly tight tracking in dense paragraphs.
The overall tone is energetic and approachable, with a casual, human warmth that reads as expressive rather than formal. Its slanted, brushy motion adds a sense of momentum and friendliness, making it feel conversational and upbeat. The texture and variation lend it a crafty, poster-like charm suited to informal messaging.
The design appears intended to capture the immediacy of hand-painted or marker-like lettering while staying cohesive enough for repeatable typesetting. Its strong stroke presence, slant, and bouncy rhythm prioritize expressive impact and friendliness, aiming for an informal display voice that feels made by hand rather than mechanically constructed.
The numerals follow the same brush logic, with rounded forms and noticeable slant, helping maintain consistency in mixed text. In longer samples the dense strokes and animated rhythm stand out strongly, so the design reads best when given space and used where personality is a priority over neutrality.