Sans Superellipse Abgan 11 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to '1955' by Alan Smithee Studio, 'Hando' by Eko Bimantara, 'Neufile Grotesk' by Halbfett, 'Britanica' by Monotype, 'Neue Rational Standard' by René Bieder, 'Aether' by Sryga, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, editorial, presentations, modern, neutral, clean, technical, friendly, clarity, versatility, systematic design, modern branding, screen readability, geometric, rounded, monoline, open counters, high legibility.
A monoline sans with geometric construction and softly rounded, superellipse-like curves. Round letters such as C, O, and Q read as rounded rectangles rather than perfect circles, while verticals and horizontals stay straight and even. Terminals are clean and mostly flat, with smooth joins and generous internal space that keeps counters open. Uppercase forms are broad and stable; lowercase is straightforward and unembellished with simple, single-storey a and g and minimal modulation throughout. Numerals are similarly plain and consistent, favoring clarity over stylization.
This style suits interface typography, dashboards, and product design where consistent shapes and clear counters help at a range of sizes. It also works well for signage and wayfinding, as well as contemporary editorial layouts and presentations that need a clean, neutral voice.
The overall tone is modern and matter-of-fact, balancing a technical cleanliness with a mild friendliness from the rounded geometry. It feels contemporary and utilitarian rather than expressive, aiming for calm, dependable readability.
The design intention appears to be a highly legible, contemporary sans built from rounded-rectilinear geometry, optimized for clarity and a steady typographic texture in continuous reading. The restrained details and consistent stroke behavior suggest a focus on systematic, versatile use across digital and print contexts.
Spacing appears comfortable, with a steady rhythm across mixed-case text and clear separation between similar shapes. The curves and corners maintain a consistent radius, reinforcing a cohesive, system-like visual logic across letters and figures.