Slab Square Pemi 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'College Vista 34' by Casloop Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logotypes, industrial, retro, utilitarian, technical, authoritative, impact, clarity, durability, slab serifs, square terminals, low contrast, compact apertures, rounded corners.
A sturdy slab-serif design with low stroke contrast and a largely monoline feel. Serifs are blocky and square-ended, with many terminals cut flat, while corners often show slight rounding that softens the geometry. Uppercase forms are compact and firm, with broad curves on letters like C, D, and O kept controlled and slightly squared in spirit. Lowercase follows a simplified, workmanlike construction—single-storey a and g, a straight, minimal t, and a compact, squared-shoulder n—creating an even, rhythmically consistent texture. Numerals are bold and engineered, with squared bowls and open counters that hold up well at display sizes.
Well-suited to headlines, short paragraphs, and UI or print situations where a robust, labeled look is desired. It works especially well for posters, packaging, wayfinding, and branding marks that benefit from strong slab presence and compact, punchy letterforms.
The overall tone is practical and no-nonsense, evoking printed labeling, equipment markings, and mid-century signage. Its blocky serifs and squared finishing give it a confident, authoritative voice with a mild retro-industrial flavor. The slightly softened corners keep it from feeling overly harsh, balancing toughness with approachability.
The font appears designed to deliver a durable, legible voice with an engineered, square-ended finish. Its consistent stroke behavior and simplified lowercase suggest an intention to perform reliably across display typography and functional, label-like applications while retaining a distinct slab-serif character.
The design favors clear silhouettes and stable horizontals, producing a dense, emphatic color in text. Curved characters lean toward squarish rounds, and apertures are relatively tight, which increases impact but can make long passages feel weighty at smaller sizes.