Spooky Noho 3 is a very bold, narrow, medium contrast, upright, normal x-height font.
Keywords: halloween promos, horror titles, event posters, party flyers, packaging labels, macabre, playful, campy, sinister, halloween, create texture, evoke slime, poster impact, seasonal branding, theatrical fright, dripping, blobby, organic, irregular, puddled.
A heavy, compact display face built from swollen, rounded strokes with irregular “drip” terminals that hang below baseline and bowl edges. Counters are tight and sometimes partially pinched, giving many letters a chunky, almost cut-out silhouette. The stroke endings vary from blunt to tapered droplet points, and the overall rhythm is intentionally uneven, with small quirks in joins and curves that enhance the handmade, gooey effect. Numerals follow the same inky, dripping treatment, maintaining consistent mass and visual density across the set.
Best suited to headlines and short bursts of text where the drip details can be appreciated—movie titles, haunted attraction branding, Halloween promotions, themed posters, and novelty packaging. It can also work for logos or badges in spooky or slime-themed brands, especially when set with generous tracking and ample size.
The dripping forms and dark, pooled silhouettes evoke classic horror posters and haunted-house signage, while the soft, rounded construction keeps it more fun and theatrical than truly menacing. It reads as spooky-comic—suggesting slime, ink, or melted wax—ideal for seasonal or tongue-in-cheek fright aesthetics.
The design appears intended to deliver an immediate horror-theme cue through dripping terminals and blotted silhouettes, while keeping letterforms straightforward enough to remain readable in display contexts. Its consistent weight and repeated droplet motifs suggest a focus on creating a recognizable, textural edge that reads quickly as “melting/dripping.”
At larger sizes the drips become a key graphic feature, creating strong texture along baselines and descenders; in tighter settings that texture can visually merge between letters. Simpler verticals (like I, l, 1) rely heavily on the drip endings for character, while wider letters (M, W) retain bold presence through broad, filled shapes.