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Sans Superellipse Otgub 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Jali Arabic', 'Jali Greek', and 'Jali Latin' by Foundry5 and 'Tipperary eText' by Monotype (names referenced only for comparison).

Keywords: branding, headlines, posters, ui, signage, modern, friendly, techy, confident, clean, modernize, add warmth, maximize impact, geometric clarity, ui friendliness, geometric, rounded, blocky, sturdy, compact.


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A geometric sans with rounded-rectangle construction and softly squared curves, giving bowls and counters a superelliptical feel. Strokes are heavy and even, with minimal modulation, producing dense, high-impact letterforms and compact internal spaces. Terminals tend toward flat cuts with subtly rounded corners; joins are clean and sturdy, and round letters like O/C/G read as squarish rounds rather than true circles. The lowercase uses single-storey a and g, a short-armed r, and a generally tight, efficient rhythm, while numerals are similarly blunt and solid with simplified shapes and small apertures.

Well suited to branding and display roles where a strong, modern voice is needed—logotypes, headlines, packaging, and poster work benefit from its dense, rounded geometry. It can also work in UI and wayfinding contexts when used with comfortable sizing and spacing, where its sturdy shapes and clean terminals support quick recognition.

The overall tone is contemporary and approachable, pairing a friendly roundedness with a firm, industrial confidence. Its squarish curves and compact counters suggest a tech-forward, UI-minded personality that still feels warm rather than clinical.

The design appears aimed at delivering a contemporary geometric sans with rounded-rectangle forms for a distinctive, sturdy presence. It prioritizes consistency, clarity, and a friendly-tech aesthetic that reads confidently in prominent, short-to-medium text settings.

At larger sizes the weight and rounded geometry feel especially intentional, while in smaller settings the tight apertures and dense color can read more forceful and compact. The design maintains a consistent geometric logic across uppercase, lowercase, and figures, prioritizing uniformity and impact over delicate detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸