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Free for Commercial Use

Wacky Abdim 1 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Oksana Text' and 'Oksana Text Std' by AndrijType (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, event promos, playful, quirky, chunky, retro, cartoonish, standout display, humor, retro charm, handmade feel, brand personality, soft corners, flared terminals, bouncy baseline, irregular rhythm, bulbous.


Free for commercial use
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A heavy, chunky serif display with soft, rounded corners and pronounced, slightly flared terminals. The letterforms have a hand-cut, wavy quality: strokes subtly bulge and taper, curves feel gently squashed, and verticals often lean or swell just enough to create an intentionally uneven rhythm. Counters are generous for the weight, with rounded internal shapes and compact joins that keep the silhouettes bold and continuous. Spacing and widths vary noticeably from glyph to glyph, reinforcing an organic, off-kilter texture in words and lines.

Best suited for short, attention-grabbing display text such as posters, headlines, packaging, and promotional graphics where personality is the goal. It can work well for children’s media, playful branding, and retro-leaning event materials; for longer passages, the irregular rhythm is likely to feel busy unless set large with generous spacing.

The overall tone is humorous and mischievous, like a lively headline style meant to entertain rather than disappear. Its bouncy shapes and irregular cadence evoke a mid-century poster/cartoon spirit with a friendly, slightly chaotic energy that reads as deliberately “wonky.”

The design appears aimed at creating a distinctive, characterful display voice through exaggerated weight, softened slab-like serifs, and intentionally uneven proportions. Its controlled irregularities suggest a crafted, hand-drawn sensibility intended to add humor and movement to titles and brand marks.

Serifs are blocky and stub-like with a softened, sculpted feel rather than sharp brackets, and the font relies on silhouette personality more than internal contrast. Numerals and lowercase echo the same inflated geometry, giving mixed-case settings a consistently playful color, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸