Sans Superellipse Gymap 14 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Panton Rust' by Fontfabric, 'Deskplate JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Astronoma' by Milan Pleva, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, logos, packaging, posters, app ui, industrial, techy, sporty, confident, friendly, high impact, modern branding, signage clarity, friendly geometry, rounded corners, boxy curves, compact, sturdy, high contrast-free.
A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Curves resolve into superelliptical bowls (notably in O, C, and G), while terminals are clean and blunt, giving a crisp, engineered silhouette. Counters are relatively small for the weight, and the overall rhythm is compact and sturdy; lowercase forms stay broad and simple, with single-storey a and g, and a short-armed r. Numerals follow the same squared-round logic, with a rectangular 0 and tightly shaped 8 and 9.
Best suited to bold headlines, brand marks, and short-form messaging where its blocky rounded forms can carry visual weight. It also works well for packaging, labels, and display UI elements such as headers, tiles, and buttons, especially in tech, fitness, and contemporary consumer products.
The tone reads modern and utilitarian with a friendly edge—assertive enough for impact, but softened by consistently rounded corners. It suggests contemporary tech, athletic branding, and product-forward communication rather than literary or formal settings.
The design appears intended to deliver maximum impact with a clean, geometric voice, using rounded-rectangle anatomy to feel both engineered and approachable. It prioritizes strong silhouettes and consistent corner rounding for cohesive branding and high-visibility display use.
Diagonal joins (as in K, V, W, X, and Y) are sharp and decisive, contrasting with the rounded bowls and giving the design a punchy, high-contrast-of-geometry feel without stroke contrast. The uppercase set appears built for strong word shapes and signage-like clarity, while the lowercase maintains an uncomplicated, functional texture.