Sans Superellipse Adkud 11 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui design, app interfaces, signage, branding, headlines, futuristic, techy, clean, friendly, minimal, modernization, system design, clarity, tech branding, rounded, geometric, modular, smooth, open.
This typeface is built from rounded-rectangle and superellipse-like curves paired with straight, monoline strokes. Corners are consistently softened, terminals tend toward squared-off ends, and curves look engineered rather than calligraphic. The overall proportions feel spacious, with wide bowls and open counters; round letters like O and Q read as near-squarish ovals, and the numerals follow the same rounded, modular logic. The rhythm is even and calm, with a restrained, systematic geometry across capitals, lowercase, and figures.
It works well for interface typography, product branding, and other contexts that benefit from a clean, engineered look—such as dashboards, tech packaging, and modern wayfinding. The wide, open forms also suit short to medium text in display sizes where its geometric character can be appreciated without feeling cramped.
The tone is modern and technical with a friendly edge, like a user-interface font designed to feel approachable rather than cold. Its rounded geometry suggests contemporary product design, digital dashboards, and streamlined industrial aesthetics. The overall impression is clean, controlled, and slightly sci‑fi without becoming decorative.
The design intent appears to be a contemporary sans that leans on superellipse geometry to create a distinct, systematized voice. It aims for clarity and consistency across glyphs while projecting a modern, technology-forward personality suitable for digital and product-centric environments.
Distinctive superellipse construction is especially apparent in round forms and in the squared curves of letters like C, D, G, and S. The lowercase shows simplified, modern shapes (single-storey a, open e) and the figures maintain clear, display-oriented silhouettes with rounded corners and flat sections. Diacritics and punctuation in the sample appear consistent in stroke weight and curvature, supporting a cohesive system feel.