Sans Normal Epliz 3 is a very light, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, branding, posters, editorial, packaging, airy, sleek, modern, refined, lighthearted, modern elegance, geometric clarity, stylish slant, minimal branding, monoline, open apertures, generous spacing, elliptical, upright terminals.
A monoline sans with a pronounced rightward slant and expansive proportions. Curves are drawn with smooth, elliptical geometry and continuous stroke flow, producing round counters and soft joins. Stems are thin and consistent, with open apertures and a generally low visual density; spacing feels generous, which amplifies the wide stance. Uppercase forms stay clean and simple, while the lowercase introduces friendly, rounded construction and long, lightly sweeping extenders in letters like f, j, and y. Numerals follow the same airy, rounded logic, with clear, open shapes and minimal modulation.
Best suited to headlines, brand wordmarks, and short editorial settings where its width, slant, and delicate strokes can read as intentional style. It can work well for posters, lookbooks, packaging, and UI moments that need a light, modern accent, especially when given ample size and whitespace.
The overall tone is calm, contemporary, and understated, leaning more toward elegant minimalism than technical rigidity. Its slanted, spacious rhythm adds a sense of motion and ease, giving text a polished, approachable feel rather than a purely utilitarian voice.
The font appears designed to deliver a contemporary geometric sans voice with an italicized, fashion-forward stance. Its wide set, open shapes, and thin monoline strokes suggest an emphasis on elegance and visual lightness, prioritizing atmosphere and refinement over compact economy.
The design maintains a consistent geometric vocabulary across cases, with circular bowls and smoothly tapered-looking joints created by the slant and thin strokes rather than true contrast. The wide set and open counters support clarity at larger sizes, while the very light strokes and italic angle make it feel more display-leaning than dense text-oriented.