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Free for Commercial Use

Outline Urjy 12 is a very light, very wide, medium contrast, upright, normal x-height font.

Keywords: headlines, display, branding, logos, packaging, art deco, editorial, fashion, glamour, refined, ornamentation, premium feel, vintage revival, engraved look, headline impact, inline, monoline, flared serifs, high-contrast feel, decorative.


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A delicate inline serif design where letterforms are constructed from open, contour-like strokes with a parallel interior line that reads as an engraved or double-stroke treatment. The structure follows classical roman proportions with small, flared wedge serifs and crisp terminals, while curves (C, G, O, S, Q) show smooth, controlled rounding and consistent stroke spacing. Lowercase forms are relatively traditional and readable, with a two-storey a, compact bowls, and narrow joins, while numerals echo the same inline construction and refined modulation.

Best suited for display typography such as headlines, mastheads, invitations, and short editorial callouts where its inline detailing can be appreciated. It can also work well for boutique branding and packaging that benefit from an engraved, premium look, especially when set with generous tracking and ample whitespace.

The overall tone is elegant and ornamental, suggesting a vintage-luxe sensibility with a touch of showcard glamour. Its fine linework and engraved impression feel poised and formal, leaning toward fashion, beauty, and high-end editorial aesthetics rather than utilitarian text setting.

The design appears intended to reinterpret a classic serif through an outline-and-inline construction, creating an engraved, jewelry-like sparkle while maintaining familiar letter skeletons. It prioritizes elegance and visual distinction for prominent settings over continuous long-form reading.

The inline detailing creates a shimmering texture in words, especially in rounded letters and at vertical stems, where the double lines emphasize rhythm and spacing. Because the strokes are open and delicate, the design’s character is most pronounced at medium-to-large sizes where the interior line separation remains clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸