Cursive Lomis 5 is a regular weight, very narrow, medium contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, romantic, refined, vintage, graceful, handwritten elegance, decorative capitals, signature feel, formal warmth, boutique tone, calligraphic, looping, swashy, hairline, slanted.
A flowing, calligraphy-inspired script with a pronounced rightward slant and smooth, continuous stroke rhythm. Letterforms are built from narrow, elongated ovals and looping bowls, with tapered terminals and occasional swash-like entry/exit strokes. Contrast is noticeable through pointed joins and hairline turns, while downstrokes read slightly stronger, giving the line a crisp, pen-drawn feel. Uppercase characters are larger and more flourish-prone, featuring open loops and extended curves that create a decorative headline texture; lowercase stays compact with a very small x-height and tight internal counters, producing an airy, delicate color overall.
This script is well suited to short, prominent text such as invitations, wedding collateral, boutique branding, beauty or lifestyle packaging, and elegant headlines. It can also work for pull quotes or signatures where a personal, refined handwritten impression is desired, especially at larger sizes where the delicate details and loops remain clear.
The font conveys a graceful, romantic tone—poised and slightly formal, like handwritten invitations or classic personal correspondence. Its slender proportions and looping capitals add a vintage, boutique sensibility, while the consistent slant and smooth connections keep it expressive rather than rigid.
The design appears intended to emulate a practiced, pen-written cursive with decorative capitals and a light, polished touch. Its narrow, slanted construction prioritizes graceful word silhouettes and an upscale handwritten character over plain, utilitarian text setting.
The numerals follow the same italic, handwritten logic with curved forms and tapered ends, visually aligning with the script rather than standing as utilitarian figures. Spacing and rhythm appear designed for connected word shapes, with the most distinctive personality coming from the expansive capital forms and their sweeping curves.