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Free for Commercial Use

Print Garud 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Explorer' by Fenotype, 'Gigenham' by Maulana Creative, 'Balboa' by Parkinson, and 'Calps' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, quirky, retro, handmade, friendly, handmade warmth, display impact, playful branding, casual signage, rounded, bouncy, chunky, soft corners, irregular.


Free for commercial use
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A chunky, hand-drawn display face with compact proportions and heavy, softly rounded strokes. Letterforms show intentional irregularities—uneven curves, slightly wobbly verticals, and variable internal counters—creating a lively, printed-by-hand texture. Terminals tend to be blunted rather than sharply cut, and curves are inflated, giving the alphabet a plump silhouette. Spacing feels a bit uneven in an organic way, with some glyphs reading narrower or wider, reinforcing a casual rhythm.

Best suited to short, attention-grabbing text such as posters, headlines, product packaging, and logo wordmarks where its handmade character can be appreciated. It also works well for stickers, event promos, and playful social graphics, especially when paired with a simpler companion for body copy.

The overall tone is cheerful and quirky, with a retro craft sensibility that feels approachable rather than formal. Its bold, soft shapes read as humorous and friendly, suggesting handmade signage, kids’ materials, or lighthearted branding.

The design appears intended to mimic informal, hand-printed lettering with a bold marker-like presence, prioritizing personality and impact over strict geometric consistency. Its softened corners and bouncy rhythm aim to create warmth and approachability while remaining highly legible at display sizes.

Uppercase and lowercase share the same rounded, slightly condensed voice, while figures follow the same sturdy, simplified construction for strong visibility. At larger sizes the textured, imperfect outlines become a defining feature; at smaller sizes the heavy weight and tight interiors may call for generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸