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Sans Other Ufriz 5 is a very light, narrow, monoline, upright, short x-height font.

Keywords: headlines, posters, logotypes, packaging, invitations, art deco, elegant, airy, minimal, whimsical, display focus, stylized modernism, elegant branding, deco influence, geometric, linear, rounded, delicate, open counters.


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A delicate, linear sans with consistently thin strokes and a lightly geometric construction. Curves are generous and clean (notably in C, O, Q, and the rounded bowls), while many joins and terminals resolve into crisp, straight cuts, giving the alphabet a structured, architectural feel. Several glyphs use simplified, single-stroke ideas—like the pointed A and the clean, vertical I—paired with rounded forms that keep the overall rhythm soft. Numerals are equally light and open, with ample interior space and a refined, drawn-by-wire appearance that emphasizes outline and gesture over mass.

Best suited for display contexts such as headlines, posters, brand marks, packaging, and invitation or event materials where thin strokes can stay crisp. It works well when paired with generous spacing and ample contrast against the background, and it can add a tasteful, design-led tone to short phrases and titling.

The overall tone feels refined and airy, with a subtle Art Deco and modernist flavor. Its thin, poised lines read as elegant and slightly playful, suggesting sophistication without heaviness. The minimal stroke contrast and open forms give it a calm, gallery-like presence suited to understated, style-forward typography.

The likely intention is to create a fashion-forward, minimalist display sans that blends geometric clarity with a slightly stylized, Deco-leaning character. It prioritizes elegance and distinctiveness through very light strokes and simplified forms, aiming to stand out in titles and branding rather than long-form reading.

The design leans on simplified constructions and open counters, which can look striking at display sizes but may become fragile at small sizes or in low-contrast reproduction. Round characters maintain a consistent curvature, while certain letterforms introduce distinctive linear gestures that add personality without becoming ornamental.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸