Cursive Gukes 2 is a very light, very narrow, medium contrast, italic, very short x-height font.
Keywords: logotypes, branding, wedding, packaging, invitations, elegant, airy, romantic, handwritten, fashion-forward, signature feel, elegant display, personal warmth, brand accent, modern script, monoline, looping, swashy, calligraphic, delicate.
A delicate, monoline cursive with a steep rightward slant and a brisk, signature-like rhythm. Strokes are thin and clean with subtle pressure shifts, forming long ascenders and descenders and frequent looped joins. Capitals are tall and expressive, built from sweeping entry strokes and occasional flourishes, while the lowercase remains compact with minimal internal counters and short, simple terminals. Spacing is open and slightly irregular in a natural handwritten way, giving words a flowing, lightly connected texture rather than rigid, continuous script.
This font suits logo marks, personal branding, beauty/fashion identity systems, and premium packaging where a graceful handwritten accent is desired. It works well for invitations, event stationery, and short headlines or quotes, especially at larger sizes where the thin strokes and loops can breathe.
The overall tone is refined and personal—more like a stylish handwritten note or boutique signature than a formal script. Its light touch and airy structure communicate elegance and intimacy, with a contemporary, fashion-leaning polish.
The design appears intended to capture a modern, elegant handwriting style with a strong sense of movement and personality, functioning as a signature-like script for display use. Its emphasis on tall forms, light strokes, and swashy capitals suggests a focus on expressive branding and romantic editorial applications rather than dense body text.
Several letters feature extended cross strokes and long entry/exit swashes that add motion and personality, especially in capitals and in letters like t and f. The numerals echo the same thin, slanted construction and feel consistent with the alphabet, reading more like handwritten figures than typographic lining forms.