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Inline Agta 5 is a very bold, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, retro, industrial, dramatic, futuristic, attention, stylization, engraved effect, period flavor, display impact, condensed, monolinear, rounded corners, tall, geometric.


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A tall, condensed display face with heavy outer strokes and a consistent inline channel cut through the centers, creating a hollowed, sign-painted look. Forms are largely geometric with squared terminals softened by rounded corners, and curves are built from broad, even radii. Stroke endings are crisp and uniform, while the inner carved line tracks the contours closely, producing a strong double-stroke rhythm. Counters are compact and vertical stress is emphasized throughout, giving the alphabet a tight, architectural texture.

Best used for headlines, posters, and brand marks where the inline carving can function as a distinctive graphic feature. It can also work well on packaging and signage that aims for a retro or industrial tone, especially when set large with generous tracking. For longer passages, it’s likely most effective in short bursts such as titles, labels, and pull quotes.

The inline carving and condensed proportions evoke vintage marquee lettering and streamlined machinery aesthetics. It feels bold and theatrical, with a retro-futurist confidence that reads as both classic and high-impact. The overall tone is decorative and attention-seeking, suited to designs that want a stylized, period-tinged voice.

The design appears intended to deliver maximum impact through condensed, heavyweight silhouettes while adding refinement and visual intrigue via a carved inline. It prioritizes a stylized display voice over neutrality, aiming to create an engraved or neon-tube impression suitable for bold editorial and branding moments.

The inline detail remains prominent even in smaller shapes, lending a dimensional, engraved effect. Letterforms keep a consistent width logic across rounds and straights, and the numerals match the same tall, poster-ready stance. The look benefits from ample spacing and larger sizes where the internal channel can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸