Sans Superellipse Teruk 3 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, wayfinding, logotypes, industrial, military, rugged, stenciled, utility, stencil aesthetic, bold impact, labeling utility, industrial tone, display voice, all-caps feel, cutout, segmented, blunt, blocky.
A heavy, blocky sans with rounded-rectangle construction and pronounced stencil breaks that split bowls and counters into separated segments. Strokes are thick and generally uniform, with soft corners and squared terminals that keep the forms compact and sturdy. The cutouts appear consistently placed through vertical centers and key junctions, creating strong negative shapes and a repeating rhythm across capitals, lowercase, and figures. Spacing reads sturdy and poster-ready, with slightly irregular widths that enhance a manufactured, stamped impression rather than a purely geometric one.
Best suited for display settings where the stencil texture can be a feature—posters, event graphics, product packaging, and branding marks that want an industrial edge. It can also work for wayfinding or labeling-style layouts when set at generous sizes to preserve the internal breaks and maintain legibility.
The overall tone is utilitarian and hard-wearing, evoking shipping crates, equipment labels, and institutional signage. Its bold cutouts and chunky silhouettes communicate urgency and authority, with a gritty, practical character rather than a polished corporate feel.
The design appears intended to combine a rounded, modern block structure with classic stencil segmentation, producing a tough, functional voice that reads quickly and prints with strong contrast. Its consistent cutout system suggests an emphasis on repeatable, sign-painting or template-like forms that feel engineered and durable.
The stencil gaps remain visible in continuous text, producing a distinctive texture and occasional fragmentation in smaller details (notably in rounded letters and numerals). The numeral set and lowercase maintain the same cutout logic, supporting cohesive mixed-case use while still leaning toward a display-first presence.