Sans Other Tepu 2 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logotypes, album covers, futuristic, geometric, technical, playful, modular, distinctive voice, tech aesthetic, geometric system, display impact, sci-fi cue, monoline, stencil-like, inline cuts, circular forms, sharp terminals.
A geometric, monoline sans built from clean circular bowls and straight stems, punctuated by deliberate internal breaks and inline-like cut-ins. Many letters feature vertical slit counters or segmented strokes (notably in rounded forms and several numerals), giving the design a stencil-adjacent, constructed feel. Curves are smooth and near-perfectly round, while diagonals in V/W/X/Y/Z are sharp and angular, creating a strong contrast between circular and triangular geometry. Spacing and rhythm feel consistent, with a crisp, graphic color that stays even across text.
Best suited for headlines, posters, brand marks, and packaging where the geometric cuts can read as intentional design rather than texture. It also works well for sci‑fi or tech-themed UI mockups, titles, and editorial openers. For longer text, it’s most effective at comfortable sizes where the segmented counters remain clear.
The overall tone reads futuristic and technical, with a playful, coded quality created by the recurring “cut” motif. It suggests sci‑fi interfaces, engineered signage, or conceptual branding where a slightly enigmatic voice is desirable. The geometric rigor keeps it orderly, while the interruptions add personality and a sense of motion.
The design appears intended to reinterpret a neutral geometric sans through a modular, “engineered” construction system—adding repeated internal slits and breaks to create a distinctive, futuristic signature without departing from a clean monoline skeleton.
Distinctive letterforms such as the triangular A and V-like constructions, the slit-centered O/Q/0, and the segmented treatment in several lowercase characters make the font highly recognizable at a glance. The stylization is consistent enough for setting short passages, but the recurring internal divisions and atypical structures push it toward display use where the details can be appreciated.