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Free for Commercial Use

Wacky Abrut 3 is a very bold, wide, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, game ui, quirky, mischievous, retro, comic, arcade, attention grabbing, playful display, retro flavor, quirky branding, angular, faceted, chiseled, blocky, spiky.


Free for commercial use
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A heavy, angular display face built from compact blocks and sharp, chamfered corners. Strokes are mostly straight with occasional wedge-like terminals and small notches that create a cut-paper, faceted feel. Counters tend to be tight and geometric, and several glyphs show purposeful irregularities—tilted joins, asymmetric shoulders, and slightly shifting widths—that keep the texture lively. The overall rhythm reads like a stout, squared sans that has been carved and bent into playful shapes, staying consistent enough for words while maintaining a deliberately off-kilter silhouette.

Best suited for short, high-impact settings such as posters, headlines, cover art, and playful branding where a distinctive silhouette is an advantage. It can also work for game UI elements, badges, or packaging callouts that benefit from a chunky, angular display style. For longer passages, it will read more as a texture than a comfortable text face, so it’s most effective at larger sizes.

The tone is energetic and eccentric, with a cartoonish bite that suggests mischief and humor rather than formality. Its jagged cuts and chunky massing evoke retro game titling, novelty signage, and cheeky poster lettering. It feels bold and assertive, but the irregular detailing keeps it from becoming severe.

The design appears intended to deliver a one-off, attention-grabbing display voice by combining chunky, squared construction with deliberately irregular cuts and wedge terminals. The goal seems to be strong presence and immediate personality, prioritizing a quirky, carved look over neutral readability.

In continuous text, the font forms a dense, high-contrast pattern of black shapes, so spacing and line breaks will matter for clarity. The numerals and capitals carry the strongest personality, while the lowercase maintains the same cut, angular logic for a cohesive system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸