Sans Superellipse Pogol 2 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'Moho' by John Moore Type Foundry (names referenced only for comparison).
Keywords: signage, posters, packaging, user interfaces, headlines, techy, industrial, retro, modular, utilitarian, space saving, tech branding, systematic geometry, signage clarity, squared, rounded, monoline, condensed, geometric.
A condensed, monoline sans with squared, rounded-rectangle construction across curves and counters. Strokes maintain an even thickness with crisp terminals and frequent right-angle turns, producing a modular, engineered rhythm. Bowls and arches read as softened rectangles rather than circles, while the lowercase shows a tall x-height and compact ascenders/descenders for a tight, efficient texture in paragraphs. Numerals and capitals follow the same squared geometry, with open apertures and clear internal spacing that keeps forms legible despite the compressed width.
Well-suited for headings, display lines, and branding systems that want a compact, technical look—such as posters, product packaging, wayfinding, and interface labels. It can also work for short paragraphs or captions where a dense, orderly texture is desired, especially in modern or industrial visual identities.
The overall tone feels technical and instrument-like—clean, controlled, and slightly retro-futuristic. Its squared curves and disciplined spacing evoke signage, electronics, and architectural labeling, projecting a pragmatic, no-nonsense personality with a distinctive geometric flavor.
The font appears designed to translate rounded-rectangle geometry into an everyday sans, balancing strict modular construction with readable counters and a strong vertical rhythm. Its condensed stance suggests an intention to fit more characters per line while maintaining a distinctive, engineered presence.
The design leans on repeated verticals and rounded corners to create consistency, with occasional playful, stylized joins (notably in diagonals and forked forms) that add character without breaking the system. The condensed proportions and uniform stroke make it particularly striking at medium-to-large sizes where the superelliptical silhouettes are most apparent.