Sans Superellipse Olmeh 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738 and 'Autogate' by Letterhend (names referenced only for comparison).
Keywords: headlines, posters, sports branding, signage, packaging, industrial, sporty, assertive, retro, utilitarian, space saving, high impact, robust legibility, geometric consistency, condensed, blocky, rounded corners, square counters, high contrast ink-trap.
A condensed, heavy sans with squared-off geometry and generously rounded corners. Strokes are consistently thick with minimal modulation, and many curves resolve into rounded-rectangle forms rather than true circles, producing boxy counters in letters like O, D, and P. Terminals are blunt and flat, with several joins showing subtle notches and ink-trap-like cut-ins that help keep shapes open at tight internal corners. The rhythm is compact and vertical, with tall capitals, short extenders, and tightly packed apertures that stay readable because of the simplified, sturdy construction.
Best suited to headlines, posters, and large-format applications where condensed width and heavy color can create impact without taking much horizontal space. It also fits sports branding, bold labels, and signage systems that benefit from robust shapes and simplified counters at distance.
The overall tone is bold and no-nonsense, combining a retro athletic/scoreboard feel with an industrial, engineered crispness. Its compact width and squared rounding give it a confident, signage-like authority that reads as functional rather than delicate or expressive.
The design appears intended to deliver maximum visual weight in a tight footprint while maintaining clarity through rounded-rectilinear forms and reinforced corners. Its construction suggests a focus on strong, repeatable geometry that holds up in bold display settings and brand marks.
The lowercase leans toward a semi-geometric, single-storey look (notably in a and g), with small, squared counters and strong baseline emphasis. Numerals follow the same rounded-rectangle logic and appear designed for quick recognition, with sturdy, closed forms and minimal detail.