Sans Normal Kodif 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Elisar DT' by DTP Types, 'Aspira' by Durotype, 'Apres' by Font Bureau, 'Whitney' by Hoefler & Co., 'Avenir Next Paneuropean' by Linotype, and 'URW Form' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, energetic, sporty, modern, confident, dynamic, emphasis, momentum, impact, clarity, modernity, slanted, clean, rounded, compact, punchy.
This typeface is a slanted, heavy sans with smooth, rounded curves and crisp joins. Letterforms show a consistent oblique angle with sturdy strokes and minimal modulation, producing a solid, even color in text. Counters are relatively open for the weight, with rounded bowls and terminals that feel clean rather than calligraphic. Uppercase forms read compact and stable, while the lowercase uses single-storey shapes (notably the a and g) that keep the rhythm simple and contemporary. Numerals match the overall stance and weight, with round forms and straightforward construction that stays legible at display sizes.
It performs best in headlines, posters, and brand marks where a strong, slanted sans can convey momentum and emphasis. The sturdy weight and clean shapes also suit packaging, event promotions, and sports or tech-adjacent identity work. For longer passages, it will be most comfortable in short bursts such as pull quotes, callouts, and UI accents rather than extended body text.
The overall tone is assertive and kinetic, suggesting speed and forward motion. Its slant and dense presence give it a sporty, promotional feel, while the rounded construction keeps it approachable rather than severe. The result feels contemporary and functional, well-suited to attention-grabbing messaging.
The design appears intended to deliver a modern, energetic voice through a unified oblique stance and robust, rounded construction. It prioritizes impact and quick recognition, pairing straightforward geometry with enough openness in the counters to maintain clarity at typical display sizes.
Spacing appears moderately tight, helping the face form strong word shapes in short headlines. The italic angle is consistent across uppercase, lowercase, and figures, creating a unified, streamlined texture. Round letters (O, C, G) lean smoothly without looking distorted, reinforcing a controlled, engineered aesthetic.