Script Nono 3 is a bold, narrow, medium contrast, italic, normal x-height font.
Keywords: branding, posters, packaging, social media, headlines, energetic, casual, friendly, confident, expressive, signature feel, brush script, modern casual, expressive display, approachable tone, brushlike, rounded, slanted, smooth, looped.
A slanted, brush-pen script with sturdy strokes and smooth, tapered terminals that suggest fast, continuous motion. Letterforms are moderately narrow with a consistent rightward lean, and many characters show gentle swelling on curves that adds a subtle calligraphic rhythm. Uppercase shapes are compact and slightly embellished, while the lowercase maintains a clear baseline flow with occasional looped ascenders and descenders. Counters are generally open and rounded, and spacing feels naturally irregular in a handwritten way while staying visually coherent across words.
This font works best for short to medium display text where its handwritten motion can be appreciated—logos, product packaging, posters, and social graphics. It can also serve for invitations, quotes, and promotional headlines, especially when you want an informal, personable voice without looking rough or distressed.
The overall tone is lively and personable, combining a casual handwritten ease with enough polish to feel intentional and display-ready. It reads as upbeat and conversational, with a confident sweep that suits contemporary, approachable branding.
The design appears intended to emulate a confident brush-signature style: quick, fluid strokes with controlled weight and a consistent slant that keeps text cohesive. It aims to provide an expressive handwritten look that remains legible and usable across common display applications.
Stroke joins are smooth and continuous, with soft corners and minimal sharp breaks, reinforcing a brush-script feel. Numerals follow the same slanted, handwritten logic and appear designed to blend seamlessly in mixed settings. The sample text shows good word shape continuity, with the slant and rhythm doing most of the stylistic work rather than heavy ornamentation.