Outline Lari 2 is a regular weight, wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, game ui, logotypes, packaging, arcade, retro, techy, playful, bold, retro styling, display impact, digital aesthetic, geometric unity, boxy, angular, beveled, chamfered, geometric.
A boxy, geometric outline face built from squared forms with frequent chamfered corners and occasional wedge-like notches. Strokes are drawn as a consistent outer contour with open counters, creating a hollow, stencil-like presence that reads as a heavy silhouette without filled interiors. Proportions are generally wide with a tall x-height, and curves are minimized in favor of straight segments and crisp angles, giving the alphabet a modular, constructed rhythm. The outlines stay fairly uniform across caps, lowercase, and numerals, with simplified interior shapes and compact apertures that reinforce the blocky texture in text.
Best suited to display settings where the outline treatment can stay crisp: headlines, posters, game/interface UI labels, and logo wordmarks. It can also work on packaging or event graphics where a retro-tech mood is desired, especially when set large with ample contrast against the background.
The overall tone is retro-digital and game-like, evoking arcade titles, pixel-era UI, and sci‑fi labeling. Its angular cut-ins and beveled corners add a playful, slightly industrial edge that feels energetic and attention-seeking rather than formal.
The design appears intended to deliver a chunky, arcade-inspired outline aesthetic with strong geometric consistency, prioritizing personality and impact over small-size readability. Its chamfered geometry and hollow interiors suggest an aim toward digital-era nostalgia and bold signage-like presence.
In longer lines, the hollow construction creates a strong pattern of interior negative space; letterspacing and background contrast will strongly influence clarity, especially at smaller sizes where the outline-only strokes can visually thin out. The design’s squared curves and chamfers produce a distinctive “carved” look that stays consistent across punctuation-free samples and numerals.