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Sans Faceted Abbik 12 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Charles Wright' by K-Type, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).

Keywords: headlines, posters, sports branding, team apparel, signage, industrial, athletic, technical, retro, geometric impact, rugged display, engineered styling, sport emphasis, octagonal, chamfered, blocky, angular, stencil-like.


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A heavy, faceted sans with straight strokes and chamfered corners that replace curves with crisp planar cuts. Counters are largely geometric—often octagonal—creating a squared, engineered rhythm across both uppercase and lowercase. The lowercase maintains a tall presence with compact ascenders and relatively short descenders, while terminals stay blunt and consistent. Numerals echo the same cut-corner construction, producing sturdy, sign-like figures that feel uniform and tightly controlled.

Well-suited for short, high-impact settings such as headlines, posters, sports and team branding, and bold labeling where its cut-corner geometry can read clearly. It also fits industrial or technical-themed signage and packaging, especially when a rugged, engineered look is desired.

The overall tone is assertive and utilitarian, combining a sporty varsity energy with an industrial, machine-made precision. Its angular construction reads as durable and no-nonsense, with a mild retro flavor reminiscent of scoreboard and equipment marking aesthetics.

The design appears intended to translate rounded letterforms into a systematic faceted geometry, delivering a strong, uniform presence while emphasizing hard edges and mechanical consistency. It prioritizes impact and stylistic identity over softness, aiming for a distinctly angular, constructed voice.

Faceting is applied consistently at joins, inner corners, and curve substitutes, which helps the typeface hold its character at display sizes. The sharp corners and dense massing can visually thicken in smaller settings, so generous spacing and higher sizes help preserve the cut details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸