Print Homoy 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Skate' by DearType, 'Korolev Rough' by Device, 'Ad Design JNL' by Jeff Levine, 'MVB Diazo' by MVB, 'Polin Sans' by Machalski, and 'Colosso' by More Etc (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, children’s media, playful, quirky, cartoon, friendly, handmade, handmade charm, cheerful impact, casual display, humor, chunky, rounded, blobby, bouncy, irregular.
A chunky, hand-drawn print face with heavy, rounded strokes and softly blunted terminals. The outlines are intentionally irregular, with slight wobble and subtle bulges that create a lively, organic silhouette. Counters are compact and sometimes asymmetric, and curves dominate over sharp corners, giving letters a pillowy, cutout-like feel. Spacing and widths vary from glyph to glyph, reinforcing the informal rhythm while keeping overall shapes highly legible at display sizes.
Best used for short, attention-grabbing copy where its bold, handmade shapes can carry personality—posters, headlines, labels, and packaging. It also fits well in children’s materials, playful branding, social graphics, and craft-style applications where an informal, drawn look is desirable.
The overall tone is playful and approachable, with a goofy, comic sensibility that feels casual and human. Its uneven edges and bouncy proportions suggest spontaneity and humor rather than precision, making it well suited to lighthearted, kid-friendly, or crafty themes.
The design appears intended to deliver an energetic, hand-lettered feel in a sturdy, high-impact style. It prioritizes warmth and character through deliberately imperfect contours and a bouncy rhythm, aiming for friendly visibility in display typography.
Distinctive forms like the single-story lowercase “a,” the looped descenders on “g” and “q,” and the compact, rounded numerals contribute to a cohesive hand-rendered character. The texture created by slightly inconsistent stroke edges becomes more apparent at larger sizes and reads like marker or brush-filled lettering.