Sans Superellipse Lawi 10 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, ui titles, futuristic, tech, sci‑fi, geometric, industrial, tech branding, digital display, systematic geometry, modern signage, rounded corners, extended, modular, square-leaning, soft terminals.
A geometric sans built from rounded-rectangle forms, with consistent stroke thickness and generous radiused corners. The letterforms favor horizontal/vertical construction with minimal diagonals, producing a modular, engineered texture. Counters are mostly rectangular and open, and many joins resolve into smooth right angles rather than sharp vertices, keeping the overall silhouette crisp but softened. The set reads extended, with wide caps and lowercase, compact apertures, and a steady baseline rhythm; numerals match the same squared, rounded construction for a unified look.
Best suited to display roles where its wide stance and rounded-rect geometry can be appreciated—headlines, posters, product branding, and logotypes. It also works well for UI titles, dashboards, and tech-themed graphics where a crisp, futuristic voice is desired. For extended reading, it’s more effective in short bursts (labels, pull quotes) than in long text blocks.
The font projects a clean, futuristic tone that feels technical and system-driven rather than humanist. Its rounded-square geometry suggests interfaces, instrumentation, and sci‑fi signage—precise and controlled, but approachable due to the softened corners. The overall impression is confident, modern, and slightly industrial.
The design appears intended to translate superellipse and rounded-rectangle geometry into a practical sans alphabet with a strong techno voice. By keeping strokes uniform and corners consistently radiused, it aims for a cohesive, system-like aesthetic that remains friendly rather than harsh.
Distinctive details like squared bowls with rounded corners and simplified diagonals give the face a cohesive, almost modular personality. The heavy, even strokes and closed-ish apertures create strong presence at display sizes, while the wide proportions and tight interior shapes can make long passages feel dense at smaller sizes.