Sans Superellipse Upgi 2 is a bold, very wide, low contrast, upright, tall x-height font visually similar to 'Hyperspace Race Capsule' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, posters, sports identity, tech ui, techy, futuristic, industrial, sporty, assertive, impact, modernize, signal technology, maximize presence, geometric consistency, rounded corners, squared curves, extended, blocky, compact apertures.
A heavy, extended sans with a squared–rounded construction: curves resolve into rounded rectangles and softened corners rather than true circles. Strokes are monolinear with tight internal counters, and terminals are predominantly flat, giving the forms a machined, modular feel. Uppercase shapes read wide and stable, while lowercase keeps a tall, sturdy profile with minimal modulation and short, simple joins. Numerals and round letters (O, Q, 8, 9) use superelliptical bowls with consistent corner radii, reinforcing a uniform geometric rhythm across the set.
Best suited to display typography such as headlines, logotypes, packaging, and poster work where its wide geometry can dominate the page. It can also work for short UI labels or interface headings in tech or industrial themes, but the tight counters suggest avoiding very small text sizes or dense paragraphs.
The overall tone is modern and engineered—confident, high-impact, and slightly futuristic. Its wide stance and squared rounding evoke technology, motorsport, and product design contexts where clarity and forceful presence matter more than softness or tradition.
The design appears intended to deliver a bold, contemporary voice through superelliptical geometry—maximizing impact and legibility in large sizes while maintaining a consistent, modular system of rounded-rectangular curves.
Round letters maintain a deliberate squareness, and several apertures are relatively closed, which increases solidity at display sizes. The italic-free, forward-leaning impression comes from the extended proportions and angled diagonals rather than any true slant, keeping the voice firm and controlled.