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Free for Commercial Use

Wacky Riwa 5 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, kids branding, packaging, event flyers, stickers, playful, goopy, cartoonish, whimsical, cheeky, attention-grabbing, expressive texture, illustrative display, humor, blobby, organic, bulbous, drippy, cutout.


Free for commercial use
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A highly stylized, heavy display face built from soft, blobby forms with exaggerated swelling terminals and irregular, variable strokes. Counters and joins are frequently interrupted by sharp, white cut-in highlights that read like slashes or bite-marks, creating a lively, high-contrast black/white pattern inside otherwise solid shapes. Geometry is rounded and elastic rather than geometric; curves dominate, edges are softened, and proportions shift noticeably from glyph to glyph for an intentionally uneven rhythm. The overall silhouette stays compact and chunky, with minimal straight structure and a hand-formed, organic consistency across caps, lowercase, and numerals.

Best suited to short, bold applications where personality is the goal: posters, packaging, party/event flyers, kids-oriented branding, social graphics, and punchy headlines. It can also work for logos or mascots when paired with simpler supporting type to balance its busy internal texture.

The font projects a humorous, mischievous tone—like liquid ink, slime, or melted plastic shaped into letters. Its quirky internal cutouts add a sense of motion and surprise, giving text a playful, slightly chaotic energy that feels more illustrative than typographic.

The design appears intended as a one-off decorative display face that prioritizes character and texture over uniformity. The recurring cutout highlights and gelatinous construction suggest a deliberate effort to make each glyph feel animated and tactile—more like a graphic element than a neutral text letterform.

Because the internal white cuts vary in placement and thickness, texture becomes a key part of readability; the face works best when the viewer can appreciate the silhouettes and the recurring ‘slash’ motif. Spacing and letterforms feel intentionally irregular, which enhances character but can make long passages visually busy at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸