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Free for Commercial Use

Inline Tuhi 2 is a very bold, narrow, very high contrast, italic, tall x-height font.

Keywords: headlines, posters, sports branding, packaging, logos, sporty, retro, punchy, dramatic, industrial, impact, athletic feel, vintage signage, dimensional effect, grit texture, slabbed, condensed, outlined, angled, shadowed.


Free for commercial use
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A condensed, right-leaning display face with heavy slab-like forms and sharp, angular terminals. Strokes are built as bold black shapes with a contrasting inner inline and a thin outer outline, producing a layered, cut-and-carved look. Curves are tightened and slightly squared-off, counters are compact, and joins feel sturdy and mechanical. Spacing is relatively tight and the overall rhythm is energetic, with small irregularities in the interior cuts that add a gritty, printed texture.

Best suited to short, high-impact settings such as headlines, posters, event graphics, and sports or team-style branding where the inline/outline detail can be appreciated. It can also work on packaging or label-style designs that want a bold, retro-industrial voice. For clarity, it benefits from generous sizes and simple backgrounds.

The styling reads loud and competitive, with a vintage athletic and sign-painter flavor. The inline/outline layering creates a sense of speed and impact, while the distressed interior detailing adds a tough, workmanlike edge. Overall it feels assertive and attention-seeking rather than refined.

The design appears intended to deliver maximum impact through condensed, slanted silhouettes combined with an inline-and-outline construction that suggests dimensionality and motion. Its sturdy slabs and carved interior line hint at vintage athletic lettering and bold signage, prioritizing character and presence over quiet readability.

The inline and outline treatment stays consistent across caps, lowercase, and numerals, helping the alphabet hold together as a set. Rounded letters like O, C, and G keep a strong, contained silhouette, while letters with diagonals (K, V, W, X, Y) emphasize the slanted, forward-driving motion. Numerals mirror the same carved interior linework and compact proportions, matching the letterforms for headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸