Sans Other Efrur 4 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to '403 Quzie' by 403TF, 'Murat Grotesque' by Bülent Yüksel, 'Odradeck' by Harvester Type, 'Dohrma' by The Northern Block, and 'Motte' by TypeClassHeroes (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, apparel, industrial, aggressive, sporty, tactical, retro, impact, motion, ruggedness, differentiation, slanted, condensed, angular, segmented, chiseled.
A heavy, forward-slanted sans built from compact, vertically emphasized shapes with crisp, angular terminals. Many strokes appear cut with wedge-like facets and occasional inline breaks, creating a segmented, stencil-adjacent feel without full separation. Counters are tight and apertures are narrow, giving the letters a dense, high-impact texture. The rhythm is consistent across caps, lowercase, and numerals, with blocky geometry and sharp diagonals that keep silhouettes energetic and firmly mechanical.
This font is well suited to headline-driven work where impact and motion are priorities: posters, event titles, sports and fitness branding, apparel graphics, and bold logotypes. It also fits industrial or tech-themed packaging and signage where a hard-edged, machined look supports the message, especially at medium-to-large sizes.
The overall tone is forceful and kinetic, with a distinctly engineered, no-nonsense attitude. Its hard angles and cut-in details suggest speed, machinery, and competitive intensity, leaning toward a rugged, tactical sensibility rather than a friendly or neutral voice.
The design appears intended to deliver maximum punch in a compact footprint while projecting speed and toughness. The faceted terminals and internal cuts add a signature industrial/stencil flavor, helping the type stand out in branding and display settings where a distinctive, engineered voice is desired.
In the sample text, the slant and faceted cuts create strong directional flow, but the tight counters and segmented joins can make longer passages visually busy. The design reads best when given room—larger sizes, shorter lines, and generous tracking help preserve clarity and emphasize the distinctive cut-metal character.