Sans Superellipse Pobas 7 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'FF Clan' and 'FF Nort Headline' by FontFont, 'ITC Franklin Gothic LT' by ITC, and 'Franklin Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, condensed, assertive, modern, utilitarian, space saving, high impact, systematic branding, modern utility, compact, blocky, monolinear, high-waisted, rectilinear.
A compact, tightly set sans with tall proportions and a strong vertical rhythm. Strokes remain largely uniform, producing clean, low-contrast silhouettes, while curves resolve into rounded-rectangle forms that keep counters open but contained. Uppercase characters feel engineered and column-like, with short crossbars and narrow apertures; lowercase keeps a tall x-height and compact bowls, and the numerals follow the same straight-sided, rounded-corner logic for consistent color in text. Overall spacing appears economical, reinforcing a dense, poster-friendly texture.
Best suited for headlines, posters, and large-scale display where a dense, vertical presence helps maximize impact in limited width. It also fits labeling and packaging systems that need a compact, consistent typographic voice, and can work for signage or wayfinding when set with comfortable spacing.
The tone is direct and workmanlike, leaning industrial and contemporary rather than friendly or casual. Its narrow, emphatic shapes read as confident and slightly severe, suited to messaging that needs to feel efficient and no-nonsense.
The design appears aimed at delivering maximum impact and economy of space: a condensed, high-x-height sans with sturdy, uniform strokes and rounded-rectangle construction for a contemporary, industrial feel. The consistent geometry across letters and figures suggests an emphasis on systematic branding and clear, repeatable texture in display settings.
Round forms (like C, O, and 0) lean more toward squarish superellipse geometry than pure circles, and terminals generally end in flat cuts. The condensed structure creates strong word shapes at large sizes, but the tight internal spaces suggest it will look best when given enough size or tracking for clarity.