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Free for Commercial Use

Sans Superellipse Pemar 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Incised 901' by Bitstream, 'Skate' and 'Timeout' by DearType, 'Fritz Display' by Designova, 'Goodrich' by Hendra Pratama, 'Gotham' by Hoefler & Co., 'Fact' by ParaType, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, friendly, retro, punchy, playful, sturdy, impact, approachability, brand voice, display emphasis, clarity, rounded, soft corners, compact, blocky, high impact.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even, producing a dense, poster-ready color with minimal modulation. Curves are squarish and superelliptical rather than purely circular, and terminals tend to finish bluntly with rounded edges. The overall rhythm is tight and vertical, with short extenders and a sturdy, slightly condensed stance that keeps lines feeling packed and energetic.

Best suited for headlines, posters, packaging, and signage where bold shapes and rounded geometry need to read instantly. It can work for logos and short brand phrases, especially when a friendly-but-strong voice is desired. For longer passages, it will be most comfortable in short bursts such as calls to action, labels, and UI highlights.

The rounded block forms give the type a friendly, approachable tone while the weight and compactness add a bold, no-nonsense presence. It reads as mildly retro and sporty, with a playful sturdiness that feels suited to attention-grabbing messaging rather than delicate nuance.

The design appears intended to deliver maximum impact with a soft, approachable edge by combining heavy, compact proportions with superelliptical rounding. Its consistent stroke weight and squared curves prioritize a distinctive, easily recognized silhouette across letters and numbers.

Counters are relatively small for the weight, helping the font hold a strong silhouette at large sizes; this also suggests it benefits from generous tracking in dense settings. Numerals and capitals share the same squared-round geometry, keeping a cohesive, signlike texture across mixed text. The overall effect emphasizes shape and impact over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸