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Free for Commercial Use

Sans Normal Nyrev 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Muller' by Fontfabric, 'Ideal Sans' by Hoefler & Co., 'Galvani' by Hoftype, 'Ambulatoria' by Pepper Type, and 'Leksikal Sans' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, logo, kids media, playful, bubbly, punchy, friendly, retro, attention grabbing, friendly tone, retro feel, display impact, rounded, soft-cornered, compact, quirky, cartoonish.


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A heavy, rounded sans with inflated forms and subtly irregular, hand-cut geometry. Curves are generous and bowls stay very circular, while terminals often finish with softly squared or slightly angled ends that add a casual, cut-paper feel. Counters are relatively small for the weight, giving the letters a dense, poster-ready color, and curves show gentle wobble rather than strict mechanical precision. The lowercase is simple and sturdy with single-storey shapes and broad shoulders, and the numerals follow the same chunky, rounded construction for a consistent texture in text and display lines.

Well suited to short, high-impact settings such as headlines, posters, packaging callouts, and brand marks where a friendly, chunky voice is desired. It also fits entertainment and youth-oriented graphics, as well as bold UI or social graphics where legibility at larger sizes and strong presence matter most.

The overall tone is upbeat and approachable, with a toy-like friendliness and a hint of retro signage. Its chunky silhouettes and soft corners read as confident and fun rather than formal, making it feel energetic and attention-grabbing without becoming sharp or aggressive.

Likely designed as a characterful display sans that maximizes visual impact through rounded, oversized forms and a slightly handmade finish. The goal appears to be a friendly, approachable personality with enough irregularity to feel lively and distinctive in branding and headline use.

In the sample text the strong mass and tight internal spaces create a dark, continuous rhythm that works best with generous leading and tracking. Angular details—especially in diagonals and a few terminals—introduce a lively, slightly quirky cadence that keeps repeated shapes from feeling monotonous.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸