Sans Superellipse Wasa 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, tech branding, ui labels, posters, futuristic, tech, industrial, sci‑fi, streamlined, futuristic branding, interface feel, geometric clarity, display impact, rounded corners, squared curves, extended, geometric, low contrast.
A geometric sans with squared, superelliptical construction and heavily rounded corners. Strokes stay essentially uniform, producing low contrast and a clean, engineered silhouette. Many letters use rounded-rectangle bowls and open counters, with horizontal terminals that read as flat cutoffs rather than tapered ends. The design is notably extended, with broad letterforms and generous internal spacing; curves are simplified into soft-rectangular arcs, giving both capitals and lowercase a consistent, modular rhythm. Numerals follow the same rounded-rect geometry, with clear, wide forms and minimal detailing.
Best suited to display applications where its extended width and rounded-square geometry can be a stylistic asset: headlines, poster titles, game and sci‑fi graphics, tech branding, and interface-style labels. In longer paragraphs it will read as highly stylized, so it’s most effective in short bursts, captions, or large typographic statements.
The overall tone feels futuristic and technical—more like interface labeling or hardware branding than literary text. Its rounded-square shapes suggest modern machinery and digital dashboards, balancing friendliness (soft corners) with an assertive, engineered presence.
The design appears intended to translate a rounded-rectangle, industrial form language into a readable sans alphabet, emphasizing consistency, bold presence, and a modern tech aesthetic. Its simplified curves and uniform stroke weight aim for clarity and a strong, contemporary voice in branding and on-screen contexts.
Distinctive construction details include the frequent use of straight horizontals paired with rounded corners, creating a “capsule” feel in letters like C, G, S, and the rounded bowls. The lowercase maintains the same geometric logic as the uppercase, avoiding calligraphic cues; punctuation and diacritics aren’t shown, but the sample text indicates a consistent word-color and a strong display presence at larger sizes.