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Sans Other Efruj 8 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Acton' by Device, 'Odradeck' by Harvester Type, 'Enlisted Stencil JNL' by Jeff Levine, 'JHC Genetic' by Jehoo Creative, 'Stallman Round' by Par Défaut, and 'Goodland' by Swell Type (names referenced only for comparison).

Keywords: headlines, posters, sports branding, esports, logos, sporty, aggressive, techno, action, retro, impact, speed, display, branding, compression, condensed, slanted, blocky, angular, compact.


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A compact, forward-slanted sans with heavy, tightly packed forms and squared-off geometry. Strokes are predominantly uniform in thickness, with sharp corners, clipped terminals, and occasional inset cuts that create small counters and notches. Curves are minimized in favor of straight segments and chamfered joins, giving letters a mechanical, stenciled-in-spirit look. Spacing is economical and the overall rhythm is brisk and dense, with numerals and capitals matching the same wedge-and-block construction.

Best suited for short, high-impact settings such as headlines, posters, event graphics, team or esports branding, packaging callouts, and logo wordmarks. It can also work for UI/game titles or motion graphics where a sense of speed and intensity is desired, but it is less appropriate for long-form reading.

The face reads fast and forceful, projecting speed, impact, and a competitive tone. Its hard angles and slanted stance evoke motorsport graphics, arcade-era display lettering, and high-energy promotional typography.

The likely intent is a condensed display sans that maximizes punch and momentum through italic slant, blocky construction, and angular detailing. Its geometric cuts and compact proportions aim to deliver a strong, modernized retro-sport voice in minimal horizontal space.

The design relies on distinctive internal cut-ins and squared apertures to maintain differentiation in a very heavy, condensed build, which increases character but can reduce clarity at small sizes. It is most convincing when given room to breathe and used at larger sizes where the sharp geometry and notches remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸