Slab Unbracketed Duris 2 is a regular weight, normal width, monoline, upright, short x-height font.
Keywords: headlines, posters, logotypes, packaging, wayfinding, retro, industrial, technical, playful, signage, display impact, retro tech, industrial tone, brand character, signage clarity, rounded corners, square serifs, stencil-like, boxy, geometric.
A monoline, slab-serif design with squared, unbracketed terminals and softened outer corners that give the outlines a molded, machined feel. Strokes stay fairly even, with occasional open joins and squared counters that create a slightly modular, almost stencil-like construction. Uppercase forms are tall and boxy with generous interior space, while lowercase shows simplified, single-storey structures and compact bowls that keep the texture crisp. Numerals follow the same squared geometry, with rounded-rectangle zero and angular curves that maintain a consistent rhythm across the set.
Best suited for headlines and short settings where its slab terminals and squared geometry can read as a deliberate stylistic choice. It works well for branding, packaging, and signage/wayfinding that aims for a retro-tech or industrial flavor, and it can add personality to UI labels or product graphics when used at larger sizes.
The overall tone reads retro-industrial and slightly futuristic, like labeling on equipment or classic arcade-era graphics. Its squared serifs and rounded-corner geometry add a friendly, playful edge while still feeling engineered and systematic. The result is a distinctive display voice that balances quirky character with utilitarian clarity.
The design appears intended to reinterpret slab-serif structure through a modular, rounded-corner geometry, producing a strong graphic footprint with a machine-made sensibility. It prioritizes distinctive silhouette and consistent rhythm for display use, while keeping forms open enough to remain legible in short blocks of text.
The letterforms lean on straight segments and right-angle logic, with curves resolving into rounded-rect corners rather than true ovals. Several glyphs emphasize open apertures and simplified construction, which strengthens the graphic identity but makes the texture more stylized than purely text-oriented.