Sans Superellipse Timom 3 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Enamela' by K-Type, 'MVB Diazo' by MVB, 'Hockeynight Sans' by XTOPH, and 'Burpee' by Yock Mercado (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, editorial display, rugged, industrial, stamped, gritty, utilitarian, distressed display, rugged impact, print texture, industrial tone, condensed, blocky, rounded corners, distressed edges, high impact.
A heavy, condensed sans with block-like, rounded-rectangle construction and softly squared curves. Strokes are thick and fairly uniform, with compact counters and tight apertures that create a dense texture in text. The outlines show deliberate roughness—irregular edges and slightly worn corners—giving the letters a printed or abraded look while keeping an overall sturdy, upright structure. Spacing appears straightforward and workmanlike, favoring solid, dark word shapes over delicate detail.
Best suited for short, high-impact display use such as posters, headlines, labels, and bold signage where texture and weight are part of the message. It can add an industrial or vintage-print flavor to packaging and editorial callouts, especially at medium-to-large sizes where the distressed contour is clearly visible.
The font conveys a tough, practical tone with a gritty, hands-on character. Its distressed finish suggests urgency and physicality—more “stenciled on a crate” than polished branding—while the rounded-rectangle skeleton keeps it approachable rather than sharp or aggressive.
The design appears intended to combine a rounded-rectangle, no-nonsense sans structure with a deliberately worn surface, creating an assertive display face that feels printed, stamped, or weathered. The goal is impact and character rather than neutrality, with forms engineered to stay legible under a heavy, textured silhouette.
The wear pattern reads consistently across capitals, lowercase, and numerals, helping the set feel cohesive even with intentionally uneven edges. The condensed proportions and heavy color make it most effective when set with ample tracking or generous line spacing to avoid crowding in longer passages.